Features : Ashton Pierce Captures Intimacy and Introspection in New Single “Playhouse” from Debut Album Under Pressure

Taylor Berry, Publicist September 29, 2025
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Los Angeles, CA — Rising R&B singer-songwriter Ashton Pierce continues to make waves with his debut album Under Pressure, a deeply personal collection of songs that chronicle his journey of growth, ambition, and self-discovery. Among its standout tracks, “Playhouse” has quickly emerged as a fan favorite, blending playful energy with piercing introspection.

The Chicago native, who moved to Los Angeles at just 17 to pursue his passion for music, describes his sound as “R&B that’s mentally pop with a hip-hop feel.” His commitment to authentic storytelling is evident across Under Pressure, and nowhere more so than in “Playhouse.”

The song was born out of an unexpected moment of inspiration. “That particular song—I was listening to Ruin off Usher's album. It’s like an amapiano song. And it was right when Tyla’s Water came out, so the whole amapiano vibe was kind of in my heart,” Pierce recalls. “My producer and I went to the studio, made the beat, and I came up with the melodies. I had no idea what the song would be about until my best friend visited unexpectedly. He started venting about his girl problems and said, ‘We’re always good at playing house.’ That line inspired the song.”

That offhand comment became the emotional core of “Playhouse,” a track that balances lighthearted flirtation with a more reflective undertone. “I think Playhouse is the perfect example of finding that balance—introspection with a fun, flirty nuance,” Pierce explains. “One of my favorite lines is, ‘Nostalgia filter on your pictures in my phone, guess we’re both still learning how to let go.’ That’s very introspective, but the overall vibe of the song is, ‘I love it when you come to play.’ I always try to add levity when I’m being introspective. I don’t want to go full-on sad-boy vibes all the time.”

The writing process itself also proved memorable. “Recording and writing the lyrics after that conversation with my friend,” Pierce says, was the most rewarding part. “For a day or two, I only had the melodies in my head with no words. Once I got the chorus—‘Can we play house’—the rest came together easily.”

Like many of his songs, “Playhouse” began with melody before lyrics. “Usually, yes,” Pierce says of his process. “But it depends. For example, ‘NDA’ and ‘Talk U Thru It’ started with the titles—I knew I wanted songs with those names, and the rest fell into place later. Normally, though, I let the melody guide the song.”

That instinctual approach threads through Under Pressure, a project Pierce calls both a coming-of-age story and a nod to his own past. “Backstory—my nickname in high school was Pressure. My name’s Pierce, so people called me Pierce Pressure because allegedly I peer pressured people. I don’t remember doing that, but it stuck. When I was writing the album, it felt like a coming-of-age story made under pressure. Being independent isn’t easy—studio time, production, everything—so the title felt personal and full circle.”

From reimagining a late-80s New Jack Swing track in “Spread My Wings” to experimenting with storytelling in tracks like “Biopic” and “NDA,” Pierce embraces versatility while keeping emotional truth at the center. “Writing for myself is more personal, and I think it produces better songs,” he notes. “For my own music, I use vivid personal experiences and imagery because I can say whatever I want.”

As he reflects on his debut and looks ahead to future projects, Pierce is clear about his mission as an artist: “That there’s a new R&B guy in town, bringing back catchy, listenable melodies that make you move but also mean something lyrically. Every song says something.”

With “Playhouse,” Ashton Pierce proves that small moments can spark big stories—and that his voice is one to watch in today’s evolving R&B landscape. “I hope you enjoy the music and find something relatable,” he says. “I want the lyrics to tell stories you can connect with—whether that’s feeling better, missing someone, or reaching out to an ex. I just hope the project evokes emotion. And yes, there’s more music coming.”

Listen to “Playhouse”
Listen to Under Pressure

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